The 2025 box office is struggling with disappointing ticket sales. Industry experts debate whether the slump stems from a lack of compelling releases or waning audience interest amid shifting entertainment habits.
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Los Angeles Film Critics have named Bong Joon-ho’s “Parasite” the best film of the year. The acclaimed South Korean thriller continues to garner international recognition for its sharp social commentary and storytelling.
“The Last of Us” Season 2 deepens its exploration of survival, revealing it’s more than mere existence. The Los Angeles Times highlights the show’s intense storytelling and complex character journeys in its latest review.
Armie Hammer publicly criticized Marvel Entertainment Chairman for financially supporting former President Donald Trump. The actor voiced his disapproval amid ongoing political tensions, sparking widespread discussion on social media.
Indian post-production companies are establishing offices in Los Angeles, tapping into Hollywood’s booming market. This move aims to blend cost-effective services with creative expertise, strengthening ties between Bollywood and Hollywood.
“Suits LA,” a low-budget spinoff of the popular legal drama, falls flat with weak writing and lackluster performances. USA Today calls it the dollar-store version fans never asked for.
A Los Angeles Times analysis highlights Western media’s grim bias in Ukraine coverage, showing preference for stories about “people like us.” This selective reporting raises questions about objectivity and narrative framing.
Sam Rubin, veteran Los Angeles entertainment reporter known for his work with CBS News, has died at 64. Renowned for his insightful coverage and interviews, Rubin was a beloved figure in the industry.
At the Grammy Awards, Beyoncé triumphed with Album of the Year, marking a historic win. Meanwhile, Taylor Swift, despite multiple nominations, left the ceremony without any awards.
The Los Angeles Times reports on the 15 most banned books in American schools this year, highlighting a surge in challenges amid debates over race, gender, and sexuality in education.
Pop Mart expands its U.S. presence, selecting Los Angeles for its two newest stores. This move highlights the brand’s growing influence in the collectible toy market, tapping into the city’s vibrant retail scene.
China plans to cut the number of Hollywood films allowed for release, escalating tensions amid the ongoing trade war. The move aims to boost domestic productions and signals growing cultural protectionism, reports the Los Angeles Times.
President Trump has announced 100% tariffs on all movies made overseas, surprising Hollywood studios. The move aims to boost domestic film production but raises concerns about increased costs and industry backlash.
Kendrick Lamar, following the release of his intense new track “Not Like Us,” clarified in an interview that despite the song’s fierce tone, he does not consider himself an angry person, emphasizing his artistic complexity.
Vampire Weekend channeled “fifth-album energy” for their latest release, drawing inspiration from the quirky humor of Seinfeld and the pioneering spirit of the Beastie Boys, blending nostalgia with fresh creativity.
The entertainment industry is set for a robust rebound in 2025, with NBC Los Angeles reporting increased investments, new productions, and rising audience demand fueling a strong recovery from pandemic setbacks.
Morgan Margolis, CEO of Knitting Factory Entertainment, continues to drive innovation in LA’s vibrant music scene. Under his leadership, the venue fosters emerging talent and diverse live experiences.
Opinion: Studio productions are increasingly relocating from Los Angeles, threatening the city’s entertainment industry and economy. Immediate actions are needed to retain jobs and preserve LA’s status as the global production hub.
The Los Angeles Times breaks down the key figures in the ‘It Ends With Us’ controversy, spotlighting author Colleen Hoover, critics, and social media voices fueling the heated debate over the novel’s themes and reception.
Hollywood is cautiously resuming production, yet experts say the era of peak TV—marked by an unprecedented volume of shows—is unlikely to return. Industry shifts and streaming changes reshape the landscape.